Excerpts
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Medians
On the Garden State they're dull lawns
you expect to see neighbors mowing.
But neighbors are no more,
only landscape services.
A few bits of nature remain around Montvale
to remind us of what once was: swamp, cattails,
some huddled stands of birch, young maples, small
oak and pine, slight habitats for fox, skunk, racoon,
a red-tailed hawk, feral cats and fugitive carrier bags,
torn pennants of consumption.
The first medians I remember were on the Cross Bronx
on the way back home. I would see them through
the window glass, decorous social places,
old couples eternally seated on benches near
processions of breathing, flaking
sycamores, their broad leaves green bats or hearts
and whose new skin of bark smelled of cork and
butter even at a distance.
My father told me the green statues were bronze,
not strange, mossy plants.
My mother stayed a silent passenger
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The Radio Dial
In the Chrysler you'd turn to the frequency
you wanted and give one of the five silver
buttons a good push, setting the hook in the ether.
The buttons could be pulled off to reveal
tiny chrome steering-wheels to tune more finely,
clasping the frequency a bit longer.
My father never much cared about cars
what interested him were highways,
railroad tracks, bridges and rivers,
the small towns and back roads
where he sold paper
His succeeding vehicles became more
and more stripped down to purpose, utilitarian
but they always possessed a radio.
The last, an unadorned Plymouth with
blue vinyl interiors and pretty good reception.
We would hear Verdi and Brahms
Bizet and Puccini.
I would drive into what for him
would always be hazy skies
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The Radio Dial II
Dials don't exist any longer, the polished circles
having been replaced by an angry green, glowing thing
of broken dashes.
Then, the AM stations would float about with
your right hand in pursuit. My younger son,
Gabriel, scornfully shows me how to set
the digital frequencies, which I have had to scan
for helplessly each time. For this gift
I pay him in hip-hop channels
and I would like to hold his hand.
His hobby is naming me. He has always done this.
One of my new names in Papageno
and sometimes I think I hear a soft, sweetly-pitched
singing from above:
Zum ziele fuhrt dich diese Bahn
Sie standhaft, dulm sam und versichweigen
It's all about roads, patience, standing fast,
and it's a tune I can carry
Farther Up
on the right, to the east, is what looks like a
mental hospital. What else could it be, with
everything so uniform, the bricks the color of a lost crayon,
ochre or umber, windows dirt glazed and empty,
with bars?
It looks like no one's ever home there.
I want to look closer, but worry if I pull off.
There's even an inviting white wood gate
among the forbidding cyclones.
I could buy a map and find out
but I won't.
Never get out.
There's another hospital on the way down from Leslie's
Untitled
When I drive down with Leslie I see all the paths,
the cat tails in spongy marshes, reed grass--
communis means common, but these commons are more.
There is only one death here in the median, just past
the "One Way" sign, there a small sensible white cross
nailed to a pine.
The mowers once took it down, but it has again been
restored. With her, I rarely think about the hospital
Hidden Paths
I see them through the woods on the way down from
Leslie's, my safe harbor on the Hudson to the North.
I've always looked out windows for them, first gazing
from my parents' Chrysler at the flats and marshes
of Douglaston. They were there, through tall blond reeds.
Now to the west they're everywhere, blazed blue and red,
hiking trails, old logging roads with tumbled down brown
stones awaiting repair. There are deep paths giving
glimpses of themselves in the reaches of the forest,
then they disappear. The Appalachian Trail, blazed in white,
courses across the median, courses through and under
a bower of lindens.
Some day I will get out and follow them all
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Inflorescence
is better a whole lot than
the instress of inscape
although they're both pretty
much the same thing
in my book.
It's the panicle, the broad tail
of a brush that blooms
May to June
the feathery fletching of earth
bound arrows
filling them with their seed
then flower
a brightening brown I see
all year now
the reeds sounding spheric
harmonies
into them,
Phragmites communis.
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Work I Have Not Seen
The mowers have been busy
or perhaps it's unfair to say the
mowers. All I know is that
the wildflower gardens past
the second toll have been cut down,
leaving a brown absence, dirt
not earth, leaving slight rows regular
as a price code.
Lost are: bee balm and bergamot
painted trillium and downy gentian
and fox glove and wild geraniums
grape-hyacinth and larkspur and
evening primrose
Black-eye susans
butter and eggs
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Reamy Jansen's work is also available online at La Petite Zine and Ducky Magazine.
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